Top Of The World A Carpenters Tribute featuring Debbie Taylor

Who can forget the incomparable music of the Carpenters? The popular brother/sister duo of the 70’s and early 80’s gave us some of the most unforgettable ballads and melodic pop songs of all time.

This Carpenters Tribute Band brings the most authentic versions of the Carpenters music to the stage. No doubt, you will be singing along as they perform hits like; “Close To You”, “We’ve Only Just Begun”, “Rainy Days And Mondays”, “Please Mr. Postman” and “Yesterday Once More”, to name a few. Debbie captures the warm tones and contralto range that made Karen’s voice so unique. Sit back and enjoy as Debbie and her band takes you on a nostalgic journey through the Carpenters greatest hits while sharing some of the backstories behind the music.


Featured Review

Howard Cohen

Miami Herald Music Critic

Tribute shows to yesteryear acts — some long gone like the Carpenters and Elvis Presley, some still active such as Fleetwood Mac and Eagles — abound. Some are fun, as they tap into communal nostalgia. Most make you long for the originals.

Debbie Taylor’s Top of the World — A Carpenters Tribute, a Valentine to the ’70s easy listening brother and sister duo that is now making the rounds in South Florida, is that rarity: a tribute show that lets audiences feel what a prime-era Carpenters concert might have sounded like in the mid-70s, when late singer Karen Carpenter was still at her vocal peak. But this one transcends the source material.

Sunday night at Coral Gables’ Open Stage Club, Taylor, and her eight talented musicians, some of the finest on the South Florida circuit, were aided by the shrewd use of Richard Carpenter’s original arrangements — exquisite, detailed sound sculptures that layered multi-tracked pop vocals into sophisticated, jazzy rhythm tracks. Close your eyes at this show and you will feel the ache in Goodbye to Love, the joy in the infectious Top of the World and the feel-good familiarity of the Carpenters’ nostalgic anthem, Yesterday Once More. Every sha-la-la-la is in its place.

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